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Latest Update:2002/10/06
Æ[¬Ýªº°ÝÃD
- A. ²´¨£¬°¾Ì¡H(Seeing is Believing or Believing is Seeing?)
¡i»¡©ú¡j:
"Seeing is Believing"(²´¨£¬°¾Ì):
1. ¹L¤À¨Ì¿àµøı¡A©¿²¤Å¥Ä±(¶ÉÅ¥)»PIJı(ÅéÅç)¡C
2. "²z©Ê"±¾«Ó:
±q¡u§Ú«ä¬G§Ú¦b¡v¨ì¡u§Ú¨£¬G§Ú¦b¡v¡C
'Believing is Seeing" (¬Ý·Q¬Ýªº¡A¨£©Òª¾ªº)
1. »{¬°µøı¬O¤å¤Æ«Øºcªº²£ª«¡C
2. »{¬°µøı¸gÅ禳«Ý©Ý®i¡C
3. «µøµøı¸gÅ礤ªº¥Ù¬Þ»P½ÆÂø¡C
- B. µJÂI»PI´º(figure and ground) „³
¡i »¡©ú¡j:
1. figure (µøıµJÂI):
ª`·N¤O¤§¶°¤¤¡BµJÂI¤§²£¥Í¦³¿à©ó¬Y¨Ç±ø¥ó³Q©ñ¦bground(I´º)¡A¡u¦s¦Ó¤£½×¡v(put
into bracket)¡A©Îµø¦Ó¤£¨£¡C
2. µJÂI»PI´º(figure and ground) ¬O¬Û¹ïªº¡A¤£¬Oµ´¹ï¡C
3. µJÂI»PI´ºªº»{©w¨ú¨M©ó¤å¤Æªº¤ô¥(cultural horizon),
©M»{ª¾ªº¬É½u(boundary)
¹Ï 1 (cup or two people)
¹Ï2 (duck or rabbit)
¹Ï3 (lady or witch)
- C.¯à¨£«×»Pµø¬É(visibility and spheres of vision)
¡i »¡©ú¡j:
1. ²üÄõª©µe®aM. C. Escher (1898~1972)¥H¤U§@«~´¦¶}¤TºØ¥@¬É(three
spheres)»Pµø¬É(three spheres of visions)¡C¤£¦Pªºµø¬É¡A¤D¦]¦³¤£¦PÆ[¬ÝºA«×»P¤£¦P¥»½èªº¥@¬É¬ÛÀ³¦Ó¦¨¡C
a. ³z©úªº¥@¬É(transparent sphere)±`¥H¦Û§Ú§ë®gªººA«×(projective
attitude)Æ[¤§¡C
b. ¤£³z©úªº¥@¬É(opaque sphere)±`¥H±R·q¥B¦^À³ªººA«×(responsible
attitude)Æ[¤§¡C
c. ¤Ï®gªº¥@¬É(reflective sphere)±`¥H¦Û§Ú¤Ï¬ÙªººA«×(reflective
attitude)Æ[¤§¡C
2. ÁÙ¦³¤@ºØ½ÆÂø(complicated)»P¥Ù¬Þ(contradictory)ªºµø¬É:
©Î¦]¿Ä¦X¦hºØÆ[ÂI¡B©Î¦]»P¥L¤H¥H¤£¦PÆ[ÂI¹ï¸Ü¡A¦Ó²£¥ÍªºµLµø¬É©Î»P¥Hª«Æ[ª«ªºµø¬É¡@(Invisible Sphere
or Intertwining Sphere)¡C
3. ³o¥|ºØµø¬É¦³«Ý©ó¬Y¨Ç¡u¦s¦Ó¤£½×¡vªº¤å¤Æ¦¨³W¡B²ßºD¡B¶°Åé·NÃÑ«¬ºA¡B©ÎÓ¤H«äºû²ßºD¡C
¹Ï: M.C. Escher's ¡§spheres of vision¡¨
¹Ï1 What is in the seeing eyes?
The skull: limitation, boundary, horizon of seeing
¹Ï2 Looking in a
mirror. What do you see?
¹Ï3 Looking at a reflective
sphere.
¹Ï4 The sphere as a metaphor of
the visual world
¹Ï5 The reflective sphere relocated
in a new context
¹Ï6 The three spheres of vision
(transparent, reflective, opaque)
- D. Intertwining Relationship
¡i»¡©ú¡j:
The Legend of Theseus, Minotaur, and the Labyrinth
¹Ï1: Theseus and Minotaur
¹Ï2: Mason's Acephaele, a
surrealist version of the myth
¹Ïªí1: Rene Girard's "mimetic
desire"
¹Ïªí2: Paul Klee's diagram
¹Ï3 Escher, Mobius
Strip I, 1961
¹Ï4 Escher, Bond of
Union, 1956
¹Ï5 Escher, Print Gallery
¹Ï6 Pirnesi, The Prison
- The quartet of being
- The quartet of Being
- ¡¥¥|¦ì¤@Å顦»P¡¥»Pª«¦P¦b¡¦: ®ü¼w®æªº«Ø¿vÆ[
I. ³z©úµø¬É»Pª«¤Æ(«ÈÅé¤Æ)ªºªÅ¶¡ (Transparent Sphere and Reified Space)
¡i »¡©ú¡j:
§âÆ[¬Ý¹ï¶H·í§@¬O¥i¤@²´±æ¬ï¡A¥þÅé³zµøªº«ÈÅé--¬J©w¤£ÅÜ¡B¥i¦ôp¡B¥i¹wºâ¡C
ÃÀ³N
1. ¤s®ü¸g¹Ï¤åªº²§§Î/²§¶m·Q¹³
¤s®ü¸g®Õª` (¥Ø¿ý¡B¨÷1-5¡B¨÷6-13¡B¨÷14-18)
¡m¤s®ü¸g®Õª`¡n°KÏȮժ`(»O¥_¡G¨½¤¯®Ñ§½¡A¤@¤E¤K¤@¦~)
¡m¥j¥»¤s®ü¸g¹Ï»¡¡n(ÀÙ«n: ¤sªFµe³ø¥Xª©,2001)
¹Ï1
Íd Íd «n¤s¸g
¹Ï2 µ²¯Ý°ê
¡B¦Ð¥Á°ê¡B³e¯Ý°ê¡B¤£¦º¥Á ¡B¯¬¿Ä (¨÷6)
2. ©wÂI³zµøªº¥@¬É: ¸q¤j§Q¤åÃÀ´_¿³ªºµo©ú
¹Ï1: Masaccio,
The Trinity, c1427
¹Ï2: Ucello,
Battle of San Romano, c1450.
¹Ï3: Raphael,
School of Athen, side view
3. ¦è¬v»rÅé¡G¾®µø»P°½¿s
¹Ï1: Nude and Nudity: Cranach, Lucretia
¹Ï2: Naked and Nakedness: Degas, Bathing Woman
¤å¾Ç¡G
1. ¡m¤s®ü¸g¡n¡G»P¥DÅé«Øºc
2. Ovid, Metamorphoses, Book III ¡G°½¿s»PÅܧÎ
3. ¨F¯S¡A¡m¹Ã¦R¡n¡Gª«¤Æ¦¡Æ[¬Ý»P¯îÂÕ·P
¡@
II.¤£³z©úµø¬É»P±¹ï±ªºªÅ¶¡ (Opaque Sphere
and Face-to-face Space)
¡i »¡©ú¡j:§âÆ[¬Ý¹ï¶H·í§@¬O¯à°Êªº¥DÅé¢w½ÆÂøÃøª¾¡B²ö´ú°ª²`¡C¤£¯à¥u¾aµøı¡A¥²¶·±¹ï±¶ÉÅ¥¡A¦Ó¥B¤£°²¥L¤H¿Ë¦ÛÅéÅç¡C
- ¤å¾Ç¡G
1. ¥d¤Ò¥dªº¹ï¸Ü¦¡·Q¹³¡G¡q¸ÀÅÜ¡r¡B´J¨¥»P®æ¨¥
2. ¥¬§B (Martin Buber) I and Thou
¡@
III.¤Ï®gµø¬É»P¤Ï¬ÙªºªÅ¶¡ (Reflective Sphere
and Reflective Space)
¡i »¡©ú¡j:§âÆ[¬Ý¹ï¶H·í§@¦Û§Ú¤Ï¬Ùªº´C¤¶©Î°_ÂI¡C
- ÃÀ³N¡G
1. ¦Ûµe¹³»P¦Û¬Ù¡GDurer, Rembrandt, Parmigianino, Van Gogh
2. µe¤¤µeªº¦h«¾®µø¡G Vermeer, Goya, Velazquez
3. ·´ºµe¤¤ªºµL¨I«ä¡G C.D. Friedrich
¹Ï 1: C.D. Friedrich, Man and Woman
Waching the Moon, 1824
¹Ï 2: C.D. Friedrich, A Travelor
Above the Sea of Cloud, 1818
4. Æ[¬Ý¥L¤HªºWÃø¡GGoya, Gericault, Expressionism
5. ÀRÆ[ÀRª«
¹Ï 1: Self-recognition: Vanity or Desire: Beyeren, Still Life
¹Ï 2: Comtemplating on Vanity: Claesz, Vanitas
- ¤å¾Ç¡G
1.
¥dº¸ºû¿Õ»P®È¦æ¤å¾Ç¡G¡m°¨¥i¥Ë¦h¡n¡B¡m¬Ý¤£¨£ªº«°¥«¡n¡B¡m©¬¿Õº¿¥ý¥Í¡n
¡@
IV.µLµø¬É»P¥Hª«Æ[ª«ªºªÅ¶¡¡@(Invisible Sphere
and Intertwining Space)
¡i »¡©ú¡j:´L«¤H»P¤H¤§¶¡(¤H¶¡)¡B®É»P®É¤§¶¡(®É¶¡)¡B¦a»P¦a¤§¶¡(ªÅ¶¡)¤§½ÆÂø(complication)»P¥Ù¬Þ(contradiction)²{¶H¡F¦]¦Ó¿Ä¦X¦hºØÆ[ÂI¡B©Î¥Hª«Æ[ª«¡B©Î»P¥L¤H¥H¤£¦PÆ[ÂI¹ï¸Ü¡A·N¦b«Õ»·(distance)¡C
¡@
- ÃÀ³N¡G
-
1. ¤¤°ê¤s¤ôµe
A. ²¾°ÊµøÂI
B. ¦h«®ÉªÅ
C. ·N¦b«Õ»· (°ª»·¡B²`»·¡B¥»·......)
¥_§º S¼e
¡mÁƤs¦æ®È¡n
¥_§º ³¢º³
¡m¦¬K¹Ï¡n
«n§º ®L¦c
¡m·Ë¤s²M»·¡n
¤¸ ¶À¤½±æ
¡m´I¬K¤s©~¹Ï¡n
-
2. ¶Ç²Î®x¶é³]p
A. ¬Ý»P³Q¬Ý: ¹Ï
1, ¹Ï2
B. É´º; ¡u¶éªL¥©©ó¦]É¡Aºë¦bÅé©y¡v:¹Ï1,
¹Ï2
C. ¥Hª«Æ[ª«: ¹Ï1,
¹Ï2
D. ¥H¤pÆ[¤j :¹Ï1
E. ³±¶§¤¬¸É :¹Ï1(²¨±K),
¹Ï2 ¡B(¶}Âó)
, ¹Ï 3
(ºa¬\)
¹Ïªí2: Paul Klee's diagram
¹Ï Escher, Mobius
Strip I, 1961
¹Ï Escher, Bond of
Union, 1956
¹Ï Escher, Print Gallery
¹Ï Piranesi, The Prison
¹Ï Paul Klee, Highway and Byway
- ¤å¾Ç¡G
1. ð¸Ö¡BÖ¥y¡B·N¶H¸Öªº§Yª«·Q¹³
